There are so film, with a widespread fear to watch them again. In particularly bad example. But also in particular, the crazy tunnel. Some have cut down. So long I have left time for me again Fabrice du Welz ' Calvaire (2004), to get a movie that I plückte time from the lowest, dusty shelf in the video store, right on the passage of the porn. I had naturally expected nothing, the French nouvelle vague of the hard horror movie it was as if household name yet, was not nearly so well established. But then: the film is after all from Belgium, so even better, even outside side, or rainy, even darker. From the known Backwood specifics du Welz Zimmert a highly atmospheric, almost the entire film on music waifish, fragile giant threat that ends in a chase on foot, a real manhunt, as they were rarely seen. The late Western Seraphim Falls is estimated to have for his opening scene-served here at Calvary. Also important: the film is almost completely without shocks is relatively brief and relies on good actors and comes down to a single scene without platitudes. Excellent, I think, and even a bit better than the hot, sweaty psychologically from the horror Vinyan successor.
The true horror as a document: Gary Tarn leaves in BLACK SUN (2005), hypnotic images off-narrator's biography of the filmmaker and artist Hugues de Motalembert tell who lost to a robbery of sight. A fascinating way to combine art and biography - all to get off as the Apocalypse with a happy ending. Produced by the doomsday expert Alfonso Cuaron CHILDREN OF MEN and available from the great label Second Run .
The Nerd, by his way through the shoals of fear Teenage to Adulthood: SCOTT PILGRIM VS. THE WORLD (2010), all constructed as Videospielallegorie where you may also just be a superhero. Bissl alternative lifestyle, pseudo-punk and independent scene, pretty girls twist the head, and a number of ex-lover with whom one does not have to absorb only metaphorically. A film that is so powerful about everything right, so a lot of fun, is unfortunately too long (the final annoying), but still a little shell leaves: are so many networks ejected a fisher of men, there is something for everyone, but not for hip-hop (probably). And there's a deal in real life, not so fast. Elation comedy that me unrestrained in their Target group orientation but slightly repulsive.
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