a brief overview I wanted to give the films I've seen - and almost to again threaten to sink into oblivion in Hades ...
So there would be a film like MUTANTS (David Morlet, 2009), who tries but with some nice pictures of the snowy mountains to score and there also quite knows how to generate some atmosphere - but as soon as the zombie horror begins, is back all the same. And we had the first saved in the clinic, then again hallways and corridors, which have to serve the power structure. Partial interest of "I Loved A Zombie"-subplot, which is then implemented no more original. Not as annoying as the Stumpfo LA HORDE, but really not worth seeing.
In Werner Herzog's BAD LIEUTENANT : PORT OF CALL - NEW ORLEANS (2009), I tip my hat. A very successful in my eyes, alternative spelling of Abel Ferrara's masterpiece with Harvey Keitel - this time with Nicolas Cage, with his facial expressions always degenerate and here stooping posture one perhaps his best performance ever delivers (or at least pretty much the only non-WILD AT HEART, which I find good). Wow, what a Hammer film! This poster could come directly from Hong Kong:
Oh, WILD AT HEART on Blu-ray (now also for me), the Lynch Overdrive was finally seen again. He liked me this time in his exaggerated in any way reference. Sure, Bobby Peru, I have always found great threat (who is not), but otherwise I was always too much snow this film. So now rehabilitated somewhat in my subjective universe without meaning. If you look at how Lynch is going on here consistently, this film is possibly one of his best quality. Alone like he wants me, not really. Maybe that comes from this distance, which lies dormant in all (see LOST HIGHWAY) ...
Michael GOD's MIAMI VICE (2006), the most ultimate love story in the modern police films, it has brought with me directly on the Blu-ray screen. Unfortunately, the quality is not the hammer, but the speed boat ride and the soaring scenes are very fine. The grain in the night scenes is dependent due to the digital camera. It's all right so, and nothing can shake my love for this movie - a relationship that grows with each viewing. (I will have to be ashamed of posting this again?)
Gareth Edwards MONSTERS (2010) belongs here more in the category Übeflüssig and yet beautiful . The film seems a bit like when the strong scenes of THE MIST, which is the final mitsam packs up the tentacles from the siege scene and from this created an entire film. I was in his kindness a little reminiscent of the beautiful INFESTATION to achieve without the charm. Well, in truth I've forgotten him already almost over.
has really enjoyed my Mabrouk El Mechris JCVD (2008, Blu-ray), which I had hitherto neglected. Very fine Metafilm ironic that lurches from blow to worst case scenario, without losing its lightness. Van Damme is very sympathetic, and sacked unit is flirting with aging. I take the film so completely self-criticism does not, because I am still too much sun shining through. Nihilistic or even hopeless, the film is never really - what is perhaps because he's actually a comedy. What is not a devaluation.
Even the brilliant THE HAPPENING (2008) M. Night Shyamalan, I was looking to Blu-ray, and he has confirmed in its magnificence. More I say not to - I would like to draw so not the hatred of the network community. My thoughts can be found on filmforen.de in multiple threads - it was exhausting and enlightening enough for a human life.
I hope my unbridled subjectivity met anyone from the head - but it's perhaps even quite OK Sun Cheers!
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